How to Bend Down/How to Pick it Up
(The Shed, 2024)




About
The Shed presented the world premiere of How to Bend Down / How to Pick it Up on August 15-17, 2024. The show has the support of the New England Foundation for the Arts - National Dance Project grant for U.S. touring.
How to Bend Down / How to Pick it Up is a 11-person ensemble work that explores lineages of Black disabled imagination and alternative world-building through an immersive, multidisciplinary dance performance.
How to Bend Down / How to Pick it Up moves through three historical spaces—the cotton field, the Black church, and the freakshow/circus—where Black disability was hidden, deemed unproductive, reduced to spectacle, or asked to be prayed away. The work offers an archival exploration of these spaces and a reclaiming of agency, recentering the parts of the self that were discarded or suppressed in those settings while carrying forward the ancestral task of envisioning a future where every-body is free.
Access is central to the creative process and performance. The production includes multiple audio descriptions, ASL interpreters, and a performance structure that can reconfigure every night based on the performers’ changing needs.




Credits
Director: Kayla Hamilton
Rehearsal Director: Alicia Raquel
Musical Director: Khalil Daniel
Song Writer: Kayla Hamilton and JJ Omelagah
Writer/Researcher: Joselia Rebekah Hughes
Video Design: Jessica Ray
Sound Design: DJ Potts
Audio Description by: Alexandra Beller, Kayla Hamilton, Nicole Y. McClam, Azure D. Osborne-Lee, Brendan Drake, Aleeza Garcia, Indigo Sparks, nessie Slyker, Tess Dworman, JJ Omelagah, Joselia Rebekah Hughes
Choreographed and Performed by: Kayla Hamilton, Nicole Y. McClam, Azure D. Osborne-Lee, Brendan Drake, Aleeza Garcia, Indigo Sparks, nessie Slyker, Tess Dworman, JJ Omelagah, Khalil Brown, Jerron Herman, Vanessa Hernandez Cruz, alex Velozo, Akhila Vimal
This work is being supported by Bronx Council on the Arts, New England Foundation for the Arts, and The Shed.